Music, poetry and story telling

Music

Percussion plays an important part in all Qatari music. A favourite of the pearl fishermen was the galahs, a tall clay jar which was used to create bass and treble notes. Tus or tasat were tin drinking cups, used alongside the tabl, a longitudinal drum with skins at either end, beaten with a short stick. Modern performances often include the tar, a large tambourine-style instrument, commonly seen at weddings and other celebrations. Many modern songs feature percussion and strings, including a form of the oud, an instrument not far removed from the lute. The short rhythm- cycle labuni is characteristic of Qatar’s desert music, whilst the hammari folk songs have both desert and coastal versions. For hundreds of years, Qatar’s heritage was handed down by word of mouth, from parent to child. Songs and poetry played an important part in everyday life, and story tellers honed their craft sitting round the camp fires at night. 

Poetry
 
Much of the traditional Qatari music culture is derived from the legacy of Bedouin poetry, song and dance.  In early centuries of Muslim history, Bedouin poetry represented the ideal standard for other literary achievements as well as for the Arabic language.
 
 
Over 51,000 books in Arabic and other languages on Qatar and the Middle East, together with 600 antique maps, 2,000 manuscripts and 6,000 original photographs, will form The Arabian and Islamic Heritage Library in Qatar, another initiative of HH Sheikha Mozah Bint Nasser Al Missned through Qatar Foundation. It will be one of the biggest research centres in the Middle East, and is based on a collection started by Sheikh Hassan Bin Mohamed Al Thani in 1979.
 
It has grown steadily since then through planned acquisition and purchase.
 
The collection will include Arab manuscripts, a foreign language section dating back to the 15th century, and 20th century books about art and politics. The library is scheduled to open by 2010 in a new, specially designed building.

 

 
      
 
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